copyright

Copyright, the future and Brexit – what does it mean for education?

Copyright guide coverThe following post is based on a post published on the UK Copyright Literacy blog by LSE’s Copyright and Digital Literacy Advisor, Jane Secker and Chris Morrison, Copyright and Licensing Compliance Officer at the University of Kent. An edited and abridged version appears below. 

I’ve now been to two recent events on the future of copyright in the UK following our exit from the European Union. Whatever your views on Brexit, we can’t deny it will happen but there is much uncertainty about what it means for education and what copyright implications there might be. This is because in recent years much UK copyright legislation has been amended following directives from the European Union. And there are important new changes going through the European Parliament currently on Copyright in the Digital Single Market. On 12 January 2017, the Commission’s proposal was debated by the European Parliament’s Committee on Legal Affairs (JURI). This week EIFL (Electronic Information for Libraries) issued a statement on the need for copyright reform across Europe, supporting the statement issued by five key organisations (including LIBER, and the European Universities Association) on ‘Future-proofing European Research Excellence‘. LIBER are also calling for more change to copyright to give Europe a real opportunity to become a global leader in data-driven innovation and research.

So what does the future hold for copyright in the UK? In October last year I was interested to read this LSE blog post from Professor Alison Harcourt of Exeter University. However, I thought I would share a few thoughts from recent events. Firstly in October last year I attended a meeting at the Intellectual Property Office (IPO) to discuss the copyright implications of Brexit on the higher education sector. Then earlier this week a conference organised by the Journal of Intellectual Property, Law and Practice (JIPLP). Both events were an opportunity to understand more about how important copyright and IP are particularly in the context of international trade but also the increasingly global education offered by the UK. In both meetings all agreed that following Brexit the UK would not have the same relationship with the Court of Justice of the EU, but no one was clear if decisions of this court might be taken into account by English judges. There were references here to important recent cases on issues such as whether hyperlinking is copyright infringement.

However what is clear is that not only does Brexit mean Brexit (and of course we all know exactly what that means) it also means we are unlikely to get a new copyright act in the UK any time soon. This is despite the view of Sir Richard Arnold, British High Court of Justice judge, that we are much in need of one. On Monday he gave us eight reasons why the Copyright Designs and Patents Act 1988 (as amended and revised) was long overdue a major overhaul, technology being his first reason and Brexit being the last. This last reason was a recent addition – for the original list of seven reasons see his Herchel Smith IP lecture from 2014. However he concluded by saying that copyright is unlikely to be a priority for parliament over the next few years.

So in these dark, rather depressing January days is there any light on the horizon? The IPO suggested Brexit might be an opportunity to rethink copyright and make it fit for the UK. The lobbying work of organisations such as EIFL and Communia are hoping to convince Brussels that reforming copyright to support education and research is vital. We would like to think that those within the research and education world might be able to play a significant role in shaping the future of copyright in the UK. But it remains to be seen….

January 24th, 2017|Conferences, copyright, Ed-Tech news and issues, Open Education, Reports & Papers, Teaching & Learning|Comments Off on Copyright, the future and Brexit – what does it mean for education?|

LSE Copyright Community of Practice

APT_Screenshot4I’ve been familiar with the work of Etienne Wenger on communities of practice for some time and first came across his ideas when I was working at UCL in 2001. At UCL the community of practice concept was used in the context of engaging staff across an institution with learning technologies. I also once had the pleasure of attending a conference where Etienne Wenger gave a keynote and I was struck by the idea of a how apprentices learn a craft or profession through the support of their peers and more experienced staff.
Therefore over the summer when Chris Morrison, Copyright and Licensing Compliance Officer at the University of Kent told me he was setting up a community of practice at his institution for those interested in copyright matters, the idea immediately grabbed my interest. It was occurring to me, partly through the research we have done about librarians’ knowledge and experience of copyright, that there must be a better, more sustainable way of supporting my colleagues at LSE. I was acutely aware that as one person, providing them with support was becoming increasingly difficult, and often my responses to copyright queries were over email, or face to face with one specific individual. It meant the opportunity for others to learn from copyright queries was limited. But also I was limited in how I could learn from others experience and knowledge too.
The first LSE copyright community of practice took place in September 2016, and so far we have held three meetings. The next is coming up on the 9th December and it’s going to be a chance to play some copyright games! The sessions are open to all staff and I’ve tried to keep them informal, so people feel they can bring queries and topics for discussion along on the day. However, I also tend to put a couple of things on the agenda where I think there might be a wider interest in the topic. We’ve discussed topics such as Creative Commons licences, issues related to readings in Moodle, the new CLA Licence, a new library digitisation project of EU referendum leaflets that has involved significant copyright issues and the new UK copyright exception permitting text and data mining. Most importantly we serve tea, biscuits and occasionally some copyright cakes!
copyright-literacy-cakesThe audience has included a variety of staff from across LSE, with quite a number of library colleagues attending fairly regularly. Librarians often get asked a lot of copyright issues in their day to day work, so it is great they can come along and share their experiences. They also are usually very keen to stay up to date and discuss topical issues such as digitisation of orphan works, or scanning readings under the CLA Licence. LSE blog editors have also been another group who’ve attended the meetings regularly, and this has led me to do a separate session on copyright at their blog editors forum. I’m also drafting some guidance on copyright advice for blog editors with Chris Gilson, editor of the LSE American Politics and Policy Blog and Chris Morrison from Kent.
If you fancy finding out more about the Copyright Community of Practice then why not book a place at the next event on the 9th December! If the idea of copyright games doesn’t appeal to you then come along for the biscuits!
November 29th, 2016|copyright|Comments Off on LSE Copyright Community of Practice|

The UUK / Guild HE Copyright Working Group: a personal perspective

jane-secker-cilip-smallI was speaking to a colleague recently who was delighted to hear about the increase in the extent limits from 5% to 10% in the Copyright Licensing Agency (CLA) recently revised Licence for the higher education sector and she asked how this had come about. In a rather flippant way I said, ‘I did that’ and she laughed thinking I was joking. And then I thought about it for a moment, and then said ‘no in fact I did do that, through my work on the Universities UK / Guild HE Copyright Working Group. Of course it was not all my work, there is a team of us, and I am just one of the group, but collectively this is something our group did achieve for the higher education sector this year, through our hard work and negotiations over the past three years with the CLA. One of the meetings was with publishers where we strongly argued the case for increasing the extent limits along with a wider ‘wishlist’ of requests from the HE sector. The requests had been gathered during a workshop in July 2015 which was attended by over 40 university copyright officers and I helped to organise.

My colleagues know I disappear about four times a year up to Woburn House where UUK is based and I usually report back that we had a meeting with the CLA or another collecting society – we do also meet the Educational Recording Agency (ERA) and respond to various consultations on copyright matters from the UK Intellectual Property Office (IPO). Most recently I was one of four members of the group who attended a meeting at the IPO about Brexit and the copyright implications for universities. However, in the run up to August this year, when the new CLA Licence was finally launched, the UUK / Guild HE Copyright Working Group meetings became more frequent and I did help with quite a number of pieces of work, such as reviewing the user guidelines for the sector and being on a group reviewing the set up of a new optional service for universities called the Digital Content Store.

A chance comment from my colleague made me realise that it was important to write more about why I am on this group, what we do, and why it’s so important to LSE and the HE sector as a whole. It’s also one of the most rewarding external committees that I am part of, and one that over the years has really tested my abilities to negotiate, stay calm under pressure and deal with people and organisations who sometimes have polar opposite opinions on matters relating to copyright, educational exceptions and licensing for the sector. But it’s also an example of what can be achieved through setting those differences aside and trying to work for the common good.

What is the UUK / Guild HE Copyright Working Group?

The CWG was established by the then Committee of Vice Chancellors and Principles and the Standing Committee of Principles (now Universities UK and Guild HE) in anticipation of the Copyright Design and Patents Act 1988. The act provided for the copying of strictly limited extracts of copyright material for teaching

November 15th, 2016|copyright|Comments Off on The UUK / Guild HE Copyright Working Group: a personal perspective|

Lecture recording in UK Higher Education: results from a survey

Lecture recording is an optional service available in many of the School’s classrooms. However, it’s a topic that sometimes causes concerns among staff about issues relating to copyright and intellectual property. I’ve been interested in this topic for some time and written guidance for staff at LSE about using the service. However, in September Chris Morrison from the University of Kent and I presented the interim findings from the lecture recording survey at the ALT-C conference, which was carried out earlier this year to investigate copyright and IP policies at 33 higher education institutions. The research was carried out to better understand the different universities policies relating to copyright and intellectual property. Some of the issues we explored included: obtaining consent from lecturers, the ownership of the resulting recorded lecture, how third party copyright (such as images or charts) was handled in recorded lectures and the levels of copyright advice and support  available to lecturers.

Thirty three institutions from a good range of Russell Group, post-92 and other universities responded to the survey. We followed up the survey with a policy analysis based on 11 documents collected from a sub-set of the respondents.

lecture-recording-survey-reportThe report is finally now available and LTI are grateful to Juliana Rios-Amaya who was a research assistant with us over the summer and worked hard on the analysis and drafting of the report. Thanks to everyone who helped make this research possible including: Philippa Hatch (Imperial College), Alex Fenlon (University of Birmingham), Charlotte Booth (University of Reading), Carol Summerside (Newcastle University), Helen Cargill (Kings College London), Phil Ansell (Newcastle University) and Scott McGowan (Keele University) who helped devise the survey. Also thanks for John X Kelly, Lizzie Gadd and Ronan Deazley for commenting on earlier drafts.

Rios-Amaya, J., Secker, J. and Morrison, C. (2016) Lecture recording in higher education: risky business or evolving open practice. LSE / University of Kent. [PDF]

Executive Summary:

Reports on a survey into the copyright and intellectual property (IPR) policies of UK higher education institutions with regards to lecture recording. The practice of using institutional semi-automated lecture recording systems is becoming mainstream with 71% of institutions reporting using it in 2016 (UCISA, 2016). However, these systems raise a number of issues related to copyright and IPR that in some cases are documented in specific policy documents. Issues that arise include the consent that is obtained from academic staff, the ownership of the resulting outputs and responsibility and advice given for the use of third party content in the lectures. These issues are also often linked to, or conflated with wider ethical issues such as identity, privacy and academic freedom. The findings from the survey are presented alongside a policy analysis of IPR documents and policies from 11 institutions. These are compared to the guidance provided by Jisc (2015). The findings from the survey reveal that most institutions are still developing their IPR policy with regards to lecture recording, that many institutions seek consent from lecturers, but there is an increasing move towards making lecture recording opt-out as opposed to opt-in. The survey revealed in 94% of cases the lecturers or presenter is responsible for any third party content contained within their lecture and while institutions do offer advice about dealing with third party content, much of it is delivered in a relatively passive way, through agreeing to use the system or by information made available online in guides. The findings from the policy analysis suggest that those institutions with a high level of institutional control tend to have a higher level of comprehensiveness of approach towards lecture recording. Additionally the institutions that provide a higher level of support for copyright advice, have a tendency towards open practice and higher levels of appetite for risk. Good practice advice for institutions and recommendations for further research are presented as part of this study.

Copyright, reading lists and Moodle

Copyright guide coverJust before the start of term there was some exciting news in the world of copyright, when the Copyright Licensing Agency (CLA)’s new higher education licence was launched. Also importantly the limit of 5% of a work has been increased to 10% – hurray I hear you say! In case you didn’t know, the CLA licence is what covers you to make photocopies for students for use in teaching, it’s a blanket licence, but there are some important limits and exclusions. The licence also covers scanning, and for many years we have offered a highly efficient Epack service (now called Scanned Readings service) in the library. So why do we do this?

Well partly, because scanning readings under the CLA Licence has certain terms and conditions that must be followed such as the requirement to report every scan we deliver to students annually to the CLA. You also need to check if material is covered by the licence, and make sure you don’t copy more than one chapter from a book, one journal article from an issue or 10% of the work – which ever is greater applies. So it’s really important that staff use the Scanned Readings service so we can stay compliant with our CLA Licence. Did you know we pay a little over £7 per full time student for the licence each year, but that money is in fact returned to the authors and publishers of the work? If you write books and articles you should make sure you have registered with the Authors Licensing and Collecting Society (ALCS) as you’ll see some of that money (which compensates you for possible loss of sales) returned to you.

In addition, the Library have started using a new service delivered by the CLA with the British Library, so host the readings on a Digital Content Store, so you simply need to add links to the files from Moodle. It simplifies things but also helps ensure we can get access to readings that might have been scanned at other universities, and ultimately it will improve the quality of the readings. Please don’t think it saves time and effort by scanning readings or using PDFs you download from e-journals in Moodle. It’s breaking copyright laws but also ultimately not demonstrating to students how to use content ethically, that rewards and gives credit to the original author. And using the Reading List system is also the best way to help direct students to the resources we already pay for. If you would like to find out more about how it works with Moodle, then do get in touch with your Academic Support Librarian.

compositing the creative commons by qthomasbowerIf you are baffled by copyright and would like to find out more, then please do consider coming along to a copyright workshop we run each term, where through playing Copyright the Card Game, you can develop and test out your copyright knowledge. The next session is on Monday 14th November. Additionally if you have any queries you are also welcome to attend the Copyright Community of Practice, which runs every month, and is an informal forum for those interested in discussing copyright matters. Or you can drop a line to LTI’s Copyright and Digital Literacy Advisor, Dr Jane Secker (email j.secker@lse.ac.uk), who will be more than happy to test her own knowledge to help you figure out your copyright conundrum. So don’t just copy, copy it right, and don’t be scared of copyright, after all it offers you as an author a lot of protection, and by learning more about the law you can understand what is possible for teaching and research.

November 2nd, 2016|Announcements, copyright, Digital Literacy, Events & Workshops (LTI), Moodle, Teaching & Learning|Comments Off on Copyright, reading lists and Moodle|

Research in the age of Wikipedia

Copyright and Digital literacy advisor Jane Secker reports live from Prague on her recent work on information and digital literacy.

I’m really excited to be prejane-in-praguesenting at the European Conference on Information Literacy which this year is being held in Prague from 10th -14th October. This is the fourth conference and I’ve been lucky enough to attend every year since the conference started in 2013 in Istanbul. I went to Dubrovnik in 2014, Tallinn in 2015 and this year I am in Prague. The focus of the conference is information literacy, and many papers address issues related to digital literacy as well. It’s a European conference but in fact people come from all over the world, so it’s a fantastic place to get a global perspective on the work I do at LSE to support staff and students develop their digital literacy. The conference also has a strong link with the work I do to provide support and education in copyright matters. This year there are nearly 300 delegates from over 50 countries with just 19 from the UK. The conference theme is about information literacy in the inclusive society and we’ve had keynotes from Tara Brabazon and Jan Van Dijk.

I am presenting twice at the conference, firstly in a panel session that was held on Monday, based on outreach and advocacy work I do as Chair of the CILIP Information Literacy Group (ILG). My co-presenters were Sharon Wagg from the Tinder Foundation, who are a charity who work to promote digital inclusion, and Stephane Goldstein, who as well as being a freelance consultant, is the Advocacy and Outreach Officer for the ILG. In our panel we discussed some recent collaborations between librarians in academic sector with those in public libraries, to share their experiences of helping to develop digital literacies and promote digital inclusion. The TeachMeet events ILG and Tinder Foundation organised earlier in the year were a great way that academic and public librarians could share ideas and experience. I was delighted that two colleagues from LSE Library, Andra Fry and Sonia Gomes, attended one of these events in February to share our experiences from the Student Ambassadors for Digital Literacy (SADL) programme we were running for three years, to support LSE undergraduates.  The panel discussion encouraged participants to share any digital inclusion initiatives they were involved in around the world.  We also discussed what made these collaborations successful and why there might be problems and challenges working in this space. Sharon highlighted the Tinder Foundation’s work with libraries through their digital inclusion fund and it was inspiring to hear about work to support the most vulnerable in society, such as the elderly, job seekers and refugees develop basic and more advanced digital skills.

ECIL is also the spiritual home of copyright literacy, as this was where I first heard about the work of Tania Todorova and her colleagues to survey librarians on a country basis about their knowledge of copyright and requirements for education in this field. This was back in 2014 in Dubrovnik and last year Chris Morrison from the University of Kent and I presented the UK survey results in Tallinn. This year I’m returning to present our latest research, exploring the experiences of UK librarians of copyright, using a research method used in education and information literacy called phenomenography. It’s still early days – we carried out 3 focus groups in higher education and have been juggling work and some pretty intensive data analysis. As neither of us had used phenomenography before we are grateful to the help and advice we received from Emma Coonan and Lauren Smith, as well as several very useful articles they pointed us to. I’m sharing our slides from the ECIL presentation which I delivered on Tuesday morning. It has also been great to catch up with Tania, Serap, Joumana and several of the people who undertook the copyright literacy survey in their own country. Part of what motivated Chris and I to do this research was to understand the fear and anxiety that copyright can create, to look at why it’s a topic many in higher education shy away from learning more about, and use this data to better inform how we develop copyright education. I was struck once again by how important it is to get an international perspective on the work we do, and to see in many cases there are so many things we can learn from others experiences and so much that unites us in our work.

The research and collaboration with Chris has informed my thinking about the best way to provide support for others with copyright queries at LSE. For example, I now use a Copyright Card Game in my workshops, which are a fun and engaging way to learn about copyright. However, being seen as ‘the copyright expert’ can be quite a lonely place, and for me it is important that everyone learns a bit about copyright. This is partly what has motivated me to set up a Copyright Community of Practice at LSE (admittedly I did borrow this idea from Chris who set one up at Kent over the summer). The next session is going to be on the 4th November and it is open to any member of staff at LSE! Meanwhile I will enjoy a few more days in beautiful Prague and return to LSE full of more ideas and possibilities to enhance the support that we provide!

 

Are you interested in developing students digital and information literacies on your courses?  Jane is co-running a workshop with TLC and the library on Thursday 20 October 14:00-15:30

 

information-literacy-by-ewa-rozkosz-on-flickr

Using good practice and examples from the LSE and elsewhere, this session will focus on how to integrate digital and information literacies into the courses and programmes that you teach.

Book a place via the training and develop system:
https://apps.lse.ac.uk/training-system/userBooking/course/7591852

See our website for more information and guides on digital and information literacy

Michaelmas Term Training Opportunities

Now that term has started and you have (hopefully) settled down, why not take this opportunity to refresh or develop new skills?

Michaelmas Term workshops

Check out our programme of workshops around digital literacy and teaching with technology

On Demand and bespoke

Workshops listed below will run on an on-demand basis when at least three people have expressed their interest via LSE’s training system.

On-demand training

We also offer bespoke training to groups of academics and departments to meet specific requirements. Just choose which one(s) you are interested in from both scheduled and on-demand and contact s.ney@lse.ac.uk to arrange for sessions.

And much more!

Stay tuned for more information on our upcoming exciting event on gamification and playful learning in November!

LTI in the spotlight

Last week staff from LTI  attended the Association for Learning Technology’s annual conference (ALT-C 2016). It was an eventful three days at the University of Warwick for the team, with five of us presenting a total of 4 papers and one keynote. And oh, we also won the Learning Technologist of the Year Awards!

Learning experiences and virtual learning environments: It’s all about design!

A design for learning; Learning Experiences for the Post-Digital World – Peter Bryant

In the first part of his presentation, Peter described his new approach to teaching and learning whereby seven  learning experiences (found, making, identity, play, discontinuity, authenticity and community) can “shape, influence and enhance the opportunities for students to learn, to share learning and to teach others in a post-digital world”. Participants then discussed how existing learning technology tools could be used to create such learning experiences.

You can find a summary, reflections and slides from Peter’s presentation on his blog

Innovating from the Outside In: a Creative Hub to Change eLearning Practice- Sonja Grussendorf

Sonja introduced the audience to LTI’s “creative hub”, a project bringing together film makers, artists and designers, and how it  is being used  to design a VLE that can “accentuate communication between participants; support independent learning, collaboration and student creativity; facilitate peer learning and peer assessment and deliver ongoing, two-way feedback opportunities.”

Physical teaching and learning spaces

Learning Spaces: Roles and Responsibilities of the Learning Technologist – Kris Roger and Sarah Ney

While Sonja was presenting on virtual spaces, Kris and myself discussed physical teaching and learning spaces. More specifically, we reflected on a recent project to develop new active learning spaces at the LSE that made us wonder about what our roles and responsibilities as learning technologists were in the design of learning spaces.

Copyright and eLearning: who else but Jane Secker?

Jane presented a paper AND a keynote at ALT-C this year!

CopyrightBuddiesLecture Capture: Risky Business or Evolving Open Practice? co-presented with Chris Morrisson, Copyright Licensing and Compliance Officer at the University of Kent.

Jane and Chris presented the findings from a recent survey on institutional attitudes towards intellectual property issues in relation to lecture capture and contents used in lectures. They also reflected on the relation between good policy and good practice and how to support staff in implementing and encouraging it.

Keynote: Copyright and eLearning: Understanding our Privileges and Freedoms

Jane presented an entertaining, fun, moving and very interesting keynote on how a better understanding of  copyright can empower copyright users and educators.

You can view Jane’s full keynote on youtube:

Last But Not Least: We won!

LTI was presented with the prestigious Team Learning Technologist of the Year Award last Wednesday for their work around Students as Producers. The award recognises “outstanding achievements in the learning technology field and the promotion of intelligent use of Learning Technology on a national scale”.

“LSE are proud to be selected as the Learning Technology team of the year, especially in its 10th year.  This recognition by our peers is a celebration of the innovative work being done by academic and LTI staff to better the student experience and provide more opportunities for engaging, positive and transformational education with technology.” Peter Bryant, Head of LTI

Here are a few pictures from the evening:

 

 

Turn It In at LSE

Turn It In (TII) is the leading online service that provides originality checking of academic work, and also a range of functionality for feedback and peer review. In relation to originality checking, while the appropriate use of ideas and concepts is still best judged by an expert teacher, TII is the most efficient and effective tool to check student writing to make sure it has not been copied from another source.

LSE has been using TII to originality check the work of students via teachers and departmental staff logging into the TII website and uploading submitted assignments there.

TII integration with Moodle for originality checking

Learning Technology and Innovation (LTI), as part of their assessment and feedback with technology project, has reviewed the use of TII and implemented an integration with the School’s virtual learning environment Moodle in 2014/2015. This integration was a result of a number of different pilot scenarios that were reviewed and assessed.

At this point the integration for originality checking has been refined, tested and found to be robust and reliable. The LTI team has demonstrated it to representatives from almost every academic department at LSE. Feedback has been very positive, highlighting the efficiency and ease of access of originality reports the integration delivers.

Barring any unforeseen problems, LTI are confident the integration for originality checking can be rolled-out in Michaelmas Term 2016 so it can be used on every assignment submitted through Moodle. The official decision will be taken after the final review of feedback from the participating departments towards the end of the Summer Term and an announcement will be made after the Summer Term is concluded, well ahead of the ‘Moodle end of year arrangement’.

The Moodle/TII integration enables different settings to be applied to each assignment: for example, whether submitted work is stored to a repository so future work is checked against it, or to vary the baseline level of matched content that is deemed acceptable. This allows for a good degree of flexibility and for the integration to be configured to the requirements of different disciplines and assignment types.

Grading through Turn It In (GradeMark)

Turn It In also offers an in-depth set of functions for marking student work called GradeMark: efficient ways of applying course rubrics and standard marking comments of individual teachers across multiple assignments, thereby delivering richer feedback for students. GradeMark provides powerful functionality, but like all tools is best deployed when the user is comfortable and confident with it.

The LTI team is still working on enabling assignments to be marked through TII GradeMark and then have this grading information released to students via Moodle. A separate integration to achieve this is currently being tested, and any teachers who are interested in using it should contact lti.support@lse.ac.uk to agree an assignment where they can trial this.

Improving student writing

The availability of the TII service has generated a lively debate across higher education on whether it is a tool that students can use to improve their writing standards or if it provides an aid to those who want to cheat by massaging their plagiarism to an ‘acceptable’ level. By extension, opinions are formed on if students should see the originality scores TII assigns to their submissions; and if they should have the opportunity to revise and resubmit a piece of work if they can see that this score is not acceptable.

The common feeling from everyone involved in providing courses at LSE – both teachers and departmental staff – is that there needs to be a greater training provision if this service is something our students have available for their use.

This is something that the LTI team have noted in all the feedback they have received to this point, and they will be working with colleagues to try and create a solution that will enable TII at LSE to be as much a learning tool to improve writing as a quality assurance mechanism. Anyone interested in finding out more should contact lti.support@lse.ac.uk.

Want to know more?

The LTI team have been contacting Moodle users in each academic department to demonstrate the originality check integration, but if they have not been in touch with you yet or if you have any questions feel free to drop them a line! Please email lti.support@lse.ac.uk and LTI will be happy to provide more information.

Once Summer Term 2016 has concluded further information about the integration will be circulated to the teacher/editors for all LSE courses in Moodle.

SADL Celebration: ending term on a digital high

SADL SeniorsLast week saw the official end of the SADL Programme for 2015/16 and students and staff got together in the Studio in the Saw Swee Hock to report on their group projects, be presented with their certificates and prizes for the best blog posts and generally let their hair down before the end of term.

The evening started with each of the three groups discussing the research project they had been working on together since Michaelmas Term. Each group was supervised by three of our Senior Ambassadors and the projects included:

  • how to improve learning spaces at LSE
  • how to improve assessment and feedback and
  • how to improve peer support.

The groups were given complete freedom in how they wanted to interpret the question and how to present their findings, however they were supported by the Seniors. The first group led by Djelila, Simran and Vikki were tackling the question of how to improve learning spaces at LSE. This is a really important question and the group highlighted some of the issues with the current learning spaces at LSE and how they felt they could be improved.

The next presentation was from Eugene, Katie and Chandra were investigating how to improve assessment and feedback at LSE. Again lots of issues were raised and the students had carried out a survey to gather the opinions from their peers about how improvements could be made.

Finally we heard from the group led by Geteesh, Chantel and Melissa who explored how peer support might be improved. The group talked about what peer support is and had lots of suggestions for how technology and face to face contact can build a peer network.

Rebecca, Djelila and Ella Throughout SADL we encouraged students to blog about their experiences rewarding them with Amazon vouchers for their blog posts. We also had a prize for the best blog post over the course of the year and two runners up. We were looking for a reflective piece of writing, that emphasised digital literacy and shared ideas with others. The blog posts were judged by Valerie Brese who was a SADL student last year, Sierra Williams from LSE’s Impact Blog and Heather Dawson from the Library.

We are delighted to announce the winner was Ella Sun for her blog post on OneNote or Evernote. The two runners up were Rebecca Quinn for her post on referencing, no longer a pain in academia and Djelila Delior who wrote about how SADL got me hired, who is also one of our Senior Ambassadors.

Congratulations to all the SADL students this year. They will all receive a statement on their PDAM record for their contribution to the programme and be eligible to apply to be a Senior Ambassador next year to help shape the programme.

Blog post written by Jane Secker (Digital Literacy and Copyright Advisor) and is taken from the SADL blog