Traditionally in journalism  ‘objectivity’ has been seen as superior to ‘subjectivity’. But with the growth of social, journalism is turning more emotional. I’ve long advocated a more ‘networked’ journalism but in the face of recent panics about fake and hyper-partisan news do we now need a way of talking about the world that properly blends human interest with factual reporting? This is the long background article for a speech I gave in Adelaide at an ’emotional history’ conference on journalism. You can see a shorter version of the text with slides here.

(This article by @CharlieBeckett, director of the LSE Truth, Trust and Technology Commission and a professor in the Media and Communications Dept at LSE).

Introduction

In the wake of the success of various ‘populist’ political campaigns such as Brexit and Trump, there has been a moral panic amongst mainstream news media, especially that of the liberal/Left. A rise in ‘Fake News’, propaganda and hyper-partisan publishing online has compounded the sense of a disruption of political journalism, particularly in western democracies. This has fed into concerns about effects of structural shifts in mediated deliberation, especially online. The accelerating news cycle combined with fears of polarisation, filter bubbles and increasingly subjective, relativist identity political discourse is seen by many as undermining traditional journalistic ideas of accuracy, balance, objectivity and evidence-based argument. The notion that we are in a ‘post-truth’ society has led to general questions about what we mean by truth and trust and, in particular, their relationship to technology.

This has come after a period of disruption to the mainstream news media business model and modes of production. The increasing use of audience data about social network behaviour by newsrooms and the role of search algorithms has created concerns that political journalism is becoming fragmented and hollowed out. Elite journalists especially worry that attention is being distracted towards the sensational, partial and self-affirming rather than a news culture of rational, engaged and civilised political reporting and debate. At the centre of this debate about the nature and purpose of news media is the increasing role of emotion in the creation, dissemination and reception of journalism in general and political communications in particular.

Sometimes described as the ‘affective turn’ in journalism, this is more than a shift in style towards the personal. It is a structural, cultural and ethical change in the operation and public value of journalism. It has positive aspects. Journalism that actively includes emotion as part of its networked creation and distribution is more engaging and shared, and offers opportunities for greater empathy, agency and relevance. It can add diversity and creativity to the necessarily formulaic nature of news. It can allow for crossing social and editorial boundaries and constraints. Most importantly, it can make news noticed in a communications ecology where ‘emotion’ is increasingly the fuel for driving attention and impact.

To understand the emotional trend in the future of news it is important to locate it in the historical context of journalism’s perpetual struggle between subjective and objective poles. The technological shifts in journalism today must also be related to wider socio-economic changes. For political journalism it is part of deeper changes in democratic discourse. The role of emotions and populist politics is a symptom as well as an accelerant of the more general crisis of authority, trust and sustainability that the mainstream news media is going through. This paper will argue that to be effective political networked journalism must embrace the emotional while reaffirming traditional – and much neglected – news media values such as transparency, expertise, and independent and critical reporting and analysis. But it must do this within a constructive conceptual and strategic historic understanding of the way that journalism is changing.

The history of emotion and journalism

Journalism changes in response to changes in technology, markets and society. The role of emotion has always been a key element and indicator of those adaptations. In the mid-nineteenth century, for example, a combination of urbanisation, mass literacy, national communications such as the railways, and the new technology of cheap printing created the conditions for the flourishing of the popular press in industrialised states such as America. This new commercial journalism competed in crowded city and national markets to provide compelling content for the public. This competition made it susceptible to becoming a platform for misinformation through exaggeration, selectivity and mistakes.

Emotionally driven fake news from 1844

In 1844 the fiction writer Edgar Allen Poe tricked the New York Sun into printing his highly detailed and entertaining false account of a transatlantic balloon trip. It got extensive ‘traffic’ from a public hungry for exciting, personal stories of technological transformation. When forced to issue a correction revealing the hoax, the newspaper admitted it was ‘erroneous’ but said ‘We by no means think such a project impossible’. Clearly, even then, the facts of a story mattered less than the demand for an emotionally resonant (and highly profitable) narrative.

The objective phase of journalism

At that same time in America and Europe a more objective form of journalism was developing. An editorial culture of balanced and factual reporting evolved in newspapers. It was partly driven by commercial logic. Impartiality was a sensible strategy for news brands serving communities with diverse views. A code of rational, authoritative professionalism helped define and promote the value of mainstream journalism in an era where trustworthy information was becoming increasingly important to the efficient functioning of modern society and democracy.  The growth of public service journalism in the 20th century, with the BBC as the outstanding example, meant that journalism on new technologies such as broadcasting adopted these values into its journalism codes.

Throughout this period of the formation of modern journalism, emotions or ‘human interest’ remained a key selling point and a way of connecting consumers to issues. Titles self-consciously identified their audience. Rothermere’s Daily Mail, for example, created content targeted at the personal lives and attitudes of women. Newspapers such as the London Times and the New York Times adopted a more dispassionate style aimed at powerful men (sic). With broadcasting, the trend in the second half of the 20th century was towards more personal reporting with presenters such as Murrow, Cronkite and Rather becoming national figures who personified and sometimes personalised the news. The growth of reporter-led television news meant that journalists were acting as human intermediaries between a story and the public.

More recently, commercial logic has seen newsrooms broaden their editorial range to cover ‘lifestyle’ issues such as health and relationships. As Rosalind Coward has chronicled this meant that even before the Internet there was a growth in more emotionally-centred genres such as confessional journalism where the lines between private and public become blurred for the journalist as well as the subject. As Coward shows, this has ethical risks such as the temptation to exaggeration and the invasion of privacy.  In terms of journalism culture ‘lifestyle’ remained marginalised as a counterpoint to ‘hard’ news and objective analysis or commentary. Emotion was always part of modern journalism but the overarching claim that all mainstream modern newsrooms made was of a pseudo-scientific objectivity. Emotion was a marketing or stylistic tool rather than the core ethos.

Drivers towards subjectivity

The Internet, and especially social media, has accelerated the emotional turn. There are various drivers of this shift.

The first is economic. Competition has never been more intense. The Internet means that rivals are everywhere and endless. Distraction away from news is more immediate and accessible to the audience than ever before. As advertising revenues plunge, journalists have to fight harder than ever for every eyeball or ear. Tugging at heart strings is a tried and tested way to get attention.

Secondly, it is about the technology and the algorithms or software that shape the flow of content across platforms and networks.  Legacy media may still be dominant but increasingly we get and share news online and through social media and mobile. Facebook is now arguably the most important ‘source’ for news in the world. Using emotional cues helps to get attention and to prolong engagement. A story with a visual stimulus gets more traffic. Text written in conversational language increases audience responsiveness. Sites like Upworthy have perfected techniques such as the so-called curiosity gap in a headline. Increasingly, journalism is now distributed not by transmitters or newsagents but by social media. People ‘discover’ news as much as they seek it out. Getting people to share your content is vital for publishers and emotion is critical to making that happen.

Thirdly, it’s about a better understanding of behavioural science and audience data. We know from research on political campaigning that people respond primarily to emotional appeals and are less swayed by ideas or facts. Marketing journalism is similar. Understanding how people relate to the news on a personal level is essential to journalists trying to get the public to connect to their content. Sometimes people will have practical or professional reasons for finding news relevant, but the utilitarian theory of news consumption was always something of a myth. Journalists now have the technology and the audience data to measure news consumption as it happens and to adapt their production accordingly. Emotion is now a quantifiable factor that can be integrated into news production strategies.  The personalisation of news, for example, is a commercial strategy that allows the provision of content to be demand-led and user-centred. It allows the producer and ‘user’ to shape the flow of information in a customised way with emotions as a key variable.

News Is Personal

From Rodin’s Thinker to Steve Jobs’ ‘swiper’ news is now intimate

News is increasingly consumed via mobile devices. These are part of our intimate personal lives, literally at hand throughout our waking hours. The flow of content through mobile is a mixture of business, personal, entertainment and social content. News finds itself blended into the individual’s private and public media stream. Online and on mobile people do not distinguish easily between sources of information or even different genres such as news or entertainment or social. When they consume or share news information in those circumstances they do it for different reasons. It might be that they want to share facts and to inform people in their network. It is often that they are trying to promote a cause or issue that they care about. Increasingly, though, we are aware that the strongest motive is emotional. Through mediation they are defining themselves to others. They are making a statement about who they are and how they feel. Humans like to talk about themselves to others.  

Social media stands accused of fostering narcissism and putting pressure on people to perform and conform. It can even be used by extremists or aggressive individuals to cause harm and offence. But it can be good for our mental health and self-actualisation and it can help build communities. As news becomes part of social media so emotion, as a combination of identity and sentiment, becomes central to that process.

Truth, trust and technology: a new agenda for emotion in news

The affective or emotional turn has heightened the perennial fear of the trivialisation and commercialisation of journalism. At a time of diminished resources for newsrooms the danger is that efforts are diverted from ‘serious’ fact-based, investigative, independent-minded, critical journalism towards ‘softer’, subjective, journalism that stirs emotions but does not investigate or chronicle hard reality. There is a related fear that journalism that panders to people’s feelings, their prejudices and personal biases, will diminish the quality of information needed for vibrant and effective public discourse. A fragmented, unreflective relativism will replace reasoned argument.

No-one doubts the reality of the business model crisis yet people are consuming more news from more diverse sources than ever before. New forms of journalism are creating more powerful and effective content that is able to reach new audience demographics. In the panic about standards and public value, emotion or subjectivity has become a proxy for fear of change. Before I suggest that it is possible, indeed, necessary to combine emotion and reason in a new way in journalism, let us examine three core concepts in this debate that need addressing. The ideas of truth, trust and technology are central terms in this debate that need re-thinking. [Indeed, these ideas are so central to the debate about the future of news and information, that this autumn we are launching an LSE Truth, Trust and Technology Commission to bring together researchers, practitioners and civil society to set an agenda for countering misinformation.]

Truth

Fake news has crystalised the debate around misinformation and the dangers of subjectivity. I take fake news to include not just hoaxes and commercially driven falsehoods, but also much hyper-partisan and propaganda news. This is a genuine problem because fake information causes harm in the real world, pollutes the media system and confuses consumers. But the wider problem is when we surrender the idea of proof or evidence in the face of the claim that speculation is justified because all views are worth airing. If you ‘feel’ that something might be true, goes the argument, then that is in itself a justification to publish. That way lies a universal cynicism that prevents positive deliberation. Desirable diversity is actually destroyed by indiscriminate publication. You do not have to believe we are in a post-truth world to accept that plurality can promote confusion. Increasing ill-considered emotional responses present a challenge to ameliorating that trend.

There is now a super-abundance of facts and opinions that are brought constantly and immediately into people’s lives through new media technologies. In the face of that perhaps it is not surprising that people increasingly rely on instinctive and emotional responses to consuming and sharing information. In those circumstances journalism and other information producers can not simply expect people to come to them for evidence and informed, balanced analysis. Instead of being keepers of ‘the truth’ they need to take their narratives to where the public are having those conversations and getting their information. The evidence from creating fact-checking websites is that objectivity in glorious isolation is not enough. Only a group of pre-disposed, interested people will use them. The verification must go to the places where people are emotional.

Trust

Fake News is popular partly because of the lack of trust in the news media. Mainstream journalism was never as trusted as much as it likes to claim, and that is partly because it has often been as fallible, biased and unaccountable as the ‘fake news’ merchants that it likes to criticise. We need to redefine what we mean by trust. It should not mean blind faith. The trend away from deference towards scepticism is welcome in principle. However, that is not the same as unreflective cynicism based on emotions of fear and confusion.

Trust is being redefined for the citizen. As Hosking has shown, people judge institutions on their record. With media they now have a choice. They can see where journalists let them down (phone-hacking, failure to predict political trends etc) and they have a choice of other sources to trust that are only a click away in their Twitter or Facebook streams.

Trust surveys suggest that for many people it has come to mean that I trust the source I agree with. This promotes insularism or echo chambers. Media organisations that promote their own partisanship have been able to build strong emotional bonds of trust with their readers. Fox News for example is highly trusted by its audience and gets good ratings. This is one model for creating trust, however, is it possible for media to build a relationship of trust that combines an emotional bond with an openness to diverse views and rationality? How can they demonstrate their trustworthiness as well as showing who not to rely upon?

Transparency and interactivity are key to this. Journalists should show sources, admit what they don’t know, and find better experts and information. In a personalised news environment they must listen to the audience and act with greater humility and engagement. The experience of the recent elections in the US and UK and from the Brexit vote, the rise of populism in established democracies in Europe, and even the recent Grenfell Tower tragedy in London, has shown that mainstream media is out of touch. It does not reflect the variety of views and experiences of people in a world where a combination of globalisation, technological change and societal shifts have restructured the way we live and communicate.

Newsrooms have to go much further to understand and reflect the diversity of the publics they serve. This is partly about the composition of the news workforce as well as the content and the news agenda. But trust is not a given, it has to be earned everyday. Again, as Hosking has shown, trust is not empirical, it is a feeling, an attitude, a relationship within a ‘social context.’  Critical to creating a relationship of trust must be to include the emotional element of those varied lives.

Technology

Technology has enabled and amplified the shift to subjectivity. The platforms rightly insist that they are not conventional publishers. They have no ethos of objectivity.  But can those technology companies adapt algorithms or software that uses the emotional drivers to create relationships that connect the public to reliable, diverse and relevant information and debate? Around the world newsrooms are going on new platforms such as Instagram or Snapchat to reach the public. Are they doing this to chase advertising and subscriber revenue or is there an editorial strategy that sustains the brand’s quality as well as income? There are too many examples of digital companies who now see audience data, personalisation and engagement as marketing devices rather than a way of building a sustainable relationship. We need to understand much better the role of media in people’s lives and the value that good information can bring to them.

Emotions drive online social interaction and thus fuel the platforms’ profits. Can the platforms and networks facilitate a healthier digital public sphere without compromising the expressive value of the open Internet? Google, Twitter, Facebook and other digital intermediaries are facing increasing pressure to remove offensive, dubious or disruptive information from their networks. The platforms have removed material and closed millions of accounts in this clean-up act after pressure from politicians. They have adjusted algorithms to promote social good. But how much do we know about the principles that these platforms are acting on?  

Statements from tech leaders such as Mark Zuckerberg’s recent ‘vision’ document show that they are adopting a rhetoric that seeks to combine Facebook’s core content of ‘personal relationships’ with ideas of ‘community’, ‘civic-engagement’, and even ‘informed’ ‘common understanding’. It appears that Zuckerberg, albeit in very vague and even contradictory terms is attempting to reconcile emotional communication and the public value need for objective terms of debate. In this, technology companies and  mainstream news media may not be so opposed. They face a similar task of synthesising the personal, social and political.

Networked Emotional Journalism

Over the last decade I have argued for a networked journalism that deploys traditional journalism values within the setting of a transformed relationship with the public.  Journalists have much-needed skills in processing information as well as ethical and political values that we need to sustain democracy. At its best it has a culture of independence, critical thinking, accountability and public service. When facing an overabundance of conflicting information, some people want objective facts in the sea of rumour. Hence the popularity of the BBC at moments of crisis.

But this journalism must be networked by greater openness, interactivity and a sharing of production and agenda-setting with the public. How should this incorporate the emotional shift? The answer is not to return to a mythical model with journalists as gatekeepers of objectivity, though some bastions of that model will remain. To retain the confidence and attention of the public journalism needs to go with the grain of human nature on social media. Journalists need to think more about the personal as well as technological reasons why bad information is so popular. To help counter misinformation we need good journalism, but we also need to make journalism connect with the emotional lives citizens now lead online. Big Data needs to be broadened to ‘thick data’. Social media is not just a place to sell journalism but also where journalists can find out more about people’s lives, their feelings as well as facts.

An emotional formula for journalism

Here is a Venn diagram used to describe the ideal core components of a TV newsroom’s video for Facebook. The videos are usually versions of packages broadcast in the main bulletin, though edited and supplemented with text for mobile consumption. The videos will usually cover the same serious topics as the main programme which is an intelligent, international news and analysis programme. Their Facebook offerings have achieved remarkably high levels of engagement and sharing. It is interesting to note the priority given to emotional components or narrative ordering.  

 

This shows that while the ethos and style online has been subtly different, it is possible to combine emotional with ‘rational’ reporting. Although one result is that as people share this material they comment and reflect subjectively, so adding a further emotional element to the journalism. However, it could also be argued that by reaching a much larger and more diverse audience, the social media offering is extending the reach and impact of that more ‘traditional’ journalism and its values, too.

Towards an emotionally literate networked journalism

One of the main criticisms of emotion in journalism is that it is innately unintelligent and unreasonable. Worst still, it drives us into filter bubbles of blinkered unthinking and intolerance. There are all sorts of reasons to query this thesis and the research is ambivalent. We can see that emotional responses can foster homophily. However, network algorithms and audience data can also be used to promote serendipity and contacts with different perspectives. New storytelling techniques such as scrolling texts and gamification work by creating emotions of pleasure and empathy in the consumer but they can also impart serious information and challenging ideas. There has been outstanding digital and social journalism around the European refugee crisis, for example, that uses these emotional techniques to explain the complexities of the issue while promoting empathy.

Sense and Sensibility: the perennial binary of reason and emotions

Active users of social media appear to have a more diverse range of sources and come into contact with more various points of view. This is important because according to one new theoretical approach, reasoning is not a primarily logical function, it is for social consumption. Mercier and Sperber posit that for good evolutionary and social factors people are not good at producing reasons. We are familiar with confirmation bias and our inability to properly assess risk or proportion. However, we are much better at evaluating reasons when they come into dialogue. Irrationality becomes reasonable – if allowed proper exchange. The crucial insight of this is that emotion should not be denied a place in that argument, it is a vital driver towards deliberation.

We don’t need to agree on political assumptions or even particular rational conditions. But we do need to have ways of disagreeing and working towards progressive solutions where conflict is not harmful. This seems to me to be a central task for journalism if news media, through the new technologies, is to build a healthier public sphere.

To achieve this journalists must be more emotionally literate. They must extend the purpose of personalisation beyond mere marketing. Emotion can facilitate engagement in deliberation when done creatively. Digital native news media such as VICE, Teen Vogue and BuzzFeed do this well because they understand the affordances of social and are not hidebound by crude notions of objectivity. However, legacy newsrooms are also adapting even with highly factual techniques such as data visualisation. A bar chart is about as factual as journalism gets, but more imaginative data visualisations, for example, understand the emotional element in design.

There are a lot of  short-termist tactics that seek to landgrab share or attention by taking emotional short cuts. The notorious ‘pivot to video’ is a good example at its worst of seizing upon a social media-effective device without considering what value the news brand is adding.  Journalism has always been made up of low-quality, commercially content. It is, after all, a business and an entertainment. But for those that aspire to greater good, it is vital that the do not ignore emotion as a key element of connecting the public to their content. As Mark Deuze and I wrote, “The challenge for the networked journalist is clear: how best to sustain the ethical, social, and economic value of journalism in this new emotionally networked environment.” To do that most successfully they will need an understanding of the emotional history of journalism and its evolving next phase.

This article by Charlie Beckett, LSE @CharlieBeckett

You can see the slides for this article here.

Click on the image to access the slides

 

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