At the south west corner of the Library, overlooking Portugal Street, a stream of blue lights up the building wall. LSE Archivist, Sue Donnelly, writes about LSE’s first digital art work – Blue Rain.
Blue Rain by San Francisco installation artist, Michael Brown, turns the Library inside out by displaying in its flashing blue lights some of its daily business – details of books issued and returned to the Library and the contents of searches on the Library catalogue. The display has 23,520 blue LEDs set in a grid overlooking Portugal Street and is particularly effective at night. The speed of the lights is an indication of the scale of the Library’s collections and use.
The artist, Michael Brown is known in the USA for large scale public works. His interest in making science accessible to the general public has led to collaborations with a number of museums and galleries including the Exploratorium in San Francisco.
The art work was the gift of LSE alumnus Darril Hudson (1931-2019) and his partner Peter Boesch. Darril Hudson was born and brought up in California and after attending the University of California at Berkeley and arrived at LSE in 1952 on the General Course, focussing on International Relations. During his LSE years London moved from post war rationing to the Swinging Sixties.
In 1958 he registered for a MSc (Econ) to study for MSc in International Law focussing on the Jurisdiction and Procedures of International Tribunals and was awarded a School Scholarship in International Law in 1960.
However his main interests lay in international relations and in 1961 he returned to work on his PhD supervised by Professor Geoffrey Goodwin, Montague Burton Professor of International Relations and Professor D H N Johnson, Professor of International and Air Law. Hudson received his PhD for The Ecumenical Movement and World Order in 1965.
We are sad to announce that Darril Hudson passed away on 3 May 2019.
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I recall in the 1950’s the smogs of London had made it all more Monet than anything. The delicacy of all the darkened greys and muted sooty effects had their own style.