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Martin Fotta

February 27th, 2024

Contesting Moralities: Roma Identities, State and Kinship – review

0 comments | 10 shares

Estimated reading time: 6 minutes

Martin Fotta

February 27th, 2024

Contesting Moralities: Roma Identities, State and Kinship – review

0 comments | 10 shares

Estimated reading time: 6 minutes

In Contesting Moralities: Roma Identities, State and Kinship, Iliana Sarafian challenges established scholarly practices that attempt to define Romani identity, instead exploring how individuals navigate societal constraints with agency and resilience. Deftly combining ethnographic research, anthropological theory and personal reflection, this is an essential read for understanding the complexities of lived Roma experience, writes Martin Fotta.

Contesting Moralities: Roma Identities, State and Kinship; Volume 5, New Directions in Romani Studies. Iliana Sarafian. Berghahn Books. 2023.


The past decade has seen the publication of several high-quality monographs in various languages focusing on the lives, histories, and experiences of Romani people. While several have provided new insights into social processes, deconstructed existing preconceptions, or both, rarely has a book so subtly yet vehemently demanded that readers rethink their habits of thought about classical topics in Romani-related scholarship. This relatively short book by Iliana Sarafian, a talented anthropologist of Romani descent, does precisely this; it asks scholars to stop ruminating on who the Roma are and the character of ethnic boundaries, instead urging them to focus on how Romani individuals thrive within constraints and how they attempt to create spaces of survival for themselves and their families. It calls for exploring “experiences from the margins of Roma-ness” (98), but without presupposing to know what the core of Romani culture is.

Experimental in style and voice, Contesting Moralities is located within the ongoing effort to decolonise academic knowledge. The book is unique, however, in how the push to redefine the terms of representation in academic discourse is combined with solid ethnographic grounding and a commitment to anthropological theorisation. Weaving in self-reflection and personal narratives, it sheds light on broader social processes – on how racism, historical legacies, cultural traditions and social dynamics intersect in the lives of Romani individuals. It foregrounds individuals’ agency and the multifaceted nature of Romani experiences.

Weaving in self-reflection and personal narratives, [the book] sheds light on broader social processes – on how racism, historical legacies, cultural traditions and social dynamics intersect in the lives of Romani individuals.

The book is based on research in two pseudonymous Bulgarian Romani neighbourhoods – Radost and Sastipe – as well as in various state and non-state institutions. Sarafian is open about how practical circumstances and her position as a Romani woman influenced her research. For instance, she was assigned the role of a daughter when she first settled among non-kin and shut out from conversations of sexuality and intimacy among married women, as ignorance on such matters is expected from unmarried young Romani women. She does not treat these moments as constraints, however, but uses them as an opportunity to ponder social processes and patterning.

Sarafian is open about how practical circumstances and her position as a Romani woman influenced her research.

The main theme running throughout the book examines how Romani subjectivities are moulded by the state and its policies as they interact with values, practices, and relationships of kinship. The book focuses on a set of selected sites where the state has tried to interfere with Romani kinship, some of which are highly politicised and visible in everyday discourse: assimilation policies, control over fertility, disciplining of motherhood, and education of children. The book documents the scope of the state’s intervention and its violence past and present. “[T]here was no child in her Roma neighbourhood not going to some form of pansion [orphanage or a boarding school],” one of her research participants observes about life under the state socialism (85). The book charts the clash of state and kinship moralities and the contradictions this generates “inside” kinship relationships. It also documents various ways through which kinship resists the state or assimilates its initiatives.

Kinship, however, is not treated as a cultural artefact or tradition. Rather, the point that Sarafian tries to convey is that Romani kinship is oriented toward the future: weddings serve as communal projections of the potential for a better future, and childbearing reproduces this projection in the form of children. The concomitant aspect of this focus on becoming is Sarafian’s careful tracing of personal agency and capacity to aspire, even in moments where these could be the least expected, such as early marriages. At times, this struggle for self-determination is shown to be self-defeating. Such is the case of children, who take it upon themselves to protect their siblings and families from discrimination and racism, but in the process become further alienated from the educational system.

Romani kinship is oriented toward the future: weddings serve as communal projections of the potential for a better future, and childbearing reproduces this projection in the form of children.

The book is also a meditation on how, for people like Sarafian – who, in a move reproductive of antigypsyism, are sometimes dismissed as “Roma elite” – involvement in scholarship or activism becomes a mode to pursue authenticity and reflects their concern with the survival of Romani people. This dynamic generates its own contradictions, however. It threatens to co-opt Romani activists and scholars into co-constructing a figure of vulnerable and impoverished “hyper-real” Roma that would be legible to the state or development agencies. For many, in the context of racism and exclusion, these might be the only viable alternatives to achieve self-realisation while simultaneously connecting to their communities and responding to expectations from their families; for Sarafian, the book also becomes a way to connect with her family and community and to comprehend their position in contemporary Bulgaria. In a surprising twist, after she had been denied a job as a nurse at a local hospital, moved to work for an NGO, and then shifted to academia, Sarafian came to see a structural continuity between Romani activists, herself, and a woman who managed to become a doctor, but ruptured all relationships with her kin in the process: “I wanted to visit Ekaterina in Sofia to share that she was not alone, that there were other Roma who had managed to navigate the world within and outside of the Radost neighbourhood” (79).

The book’s style replicates its focus on the unfinished and ambiguous nature of social forms and processes, as well as the open-endedness of people’s aspirations. Rather than following one case study throughout the book or even through a chapter, each chapter is organised around a series of ethnographic stories and viewpoints. Some readers might find such a narrative approach difficult and desire some kind of synthesis or resolution. However, this is a deliberate writing strategy: “[W]hat there is still to say goes beyond the limits of this book” (101). The juxtaposition of fragments propels Sarafian’s description, sharpens her analysis, and invites future interpretations. Through ethnography, by highlighting particularities of various identifications or adding caveats to descriptions of kinship and state moralities, she constantly tries to re-articulate those social aspects that make a difference, often in ways she had not anticipated: “I found spaces, stories and examples of the everyday that challenged my preconceptions about Roma identifications” (11).

 The chapter on education [] makes visible how any state effect is produced: in day-to-day interactions, in the intermeshing between institutional actions and everyday racialisation

My main objection to the book is that the state often comes across as a monolith. The only exception is the chapter on education, which makes visible how any state effect is produced: in day-to-day interactions, in the intermeshing between institutional actions and everyday racialisation, and in how teachers, directors, and schools translate policies, respond to economic constraints, and in turn shape the educational outcomes, and thus the futures, of Romani children – for better or worse. The book would have been much richer if such an approach had been reproduced in other chapters.

Sarafian is unapologetic and does not try to hide her motivations: “I wrote as I did because of the idiosyncrasies that have shaped me” (98). The result is a timely, readable book and an essential example of Romani autoethnography. Unlike Black autoethnographic writing, this genre remains underdeveloped in Romani-related scholarship, even in its critical iteration aimed at amplifying marginalised voices and empowering communities through challenging established forms of knowledge production. Contesting Moralities will therefore be of interest to those keen on understanding the complexities of being Romani in different contexts and to anyone interested in critical commentary on pressing social issues.


This post gives the views of the author, and not the position of the LSE Review of Books blog, or of the London School of Economics and Political Science.

Image Credit: Brum on Shutterstock.


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About the author

Martin Fotta

Martin Fotta is the head of the Department of Mobility and Migration at the Institute of Ethnology, Czech Academy of Sciences. He is currently involved in a project that focuses on the migration experiences and trajectories of Ukrainian Roma refugees and on the actions of Czech and Polish Roma who mobilized to assist them (supported by the National Science Centre Poland and the Czech Science Foundation, GA 24-14388L).

Posted In: Book Reviews | Europe and Neighbourhoods | LSE Book | Sociology/Anthropology

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This work by LSE Review of Books is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales.